MAYDAY
Type of work
long full cg establishing shot of Washington DC
cg crowd and vehicles
various set extensions
Type
Film
Client
Apple
Director
John Francis Daley & Jonathan Goldstein
OUR WORK
Raynault vfx contributed to several key moments in the film, from recreating the streets of Soviet-era Moscow to working on the distinctive road trip sequence featuring the duo's red car. With its playful, dynamic camerawork, the sequence captures the film's unique blend of action, comedy and adventure.
One of our most ambitious contributions comes near the end of the film, with an extended, sweeping camera move over Washington, D.C. Built entirely in CG, the shot takes viewers on a continuous journey across the nation's capital, providing a memorable visual conclusion to the story.
Our team also created period-accurate CG vehicles to help bring the world of 1987 to life, combining detailed environmental work with the film's distinctive visual storytelling.